
“The Shroud of Turin is a puzzling archaeological find of antiquity that has stupefied and awed scientists and scholars worldwide. The Shroud is a 14-foot-5-inch x 3 1/2-foot, herringbone linen cloth that bears a faint front and back image of a crucified man.” It’s rich weave is in line with what Joseph of Arimathea, a wealthy man who assumed responsibility for the burial of Jesus after his crucifixion, would have used for his own burial preparations. For centuries Christians have attributed a first-century date to the Shroud of Turin.
Unlike all other known medieval relics—which clearly show signs of artistry, paint layers, or poor anatomical proportions, the Shroud is different.
Shroud expert Dr. Jeremiah Johnston shows how the image on the cloth matches the cruel Roman crucifixion methods that caused Jesus death, matching the Gospel narratives. He also covers blood type, DNA, radiation that appears to have caused the image in detail (including the elongated appearance of Jesus’ arms and dislocated shoulders caused by carrying the crossbeam), details surrounding Jesus’ death and burial, and so much more context.
Totally fascinating and relevant today. 90 minutes.
The Creation of the Image on the Linen Is Now Partially Understood … And It’s Really Weird
The Shroud of Turin Research Project (STURP) team had access to the Shroud for 5 uninterrupted days and performed dozens of non-destructive tests using all currently known detection methods. (source) The researchers that tested the Shroud with a VP-8 analog image analyzing computer discovered something very bizarre. (source) Their findings—later published in peer-reviewed scientific journals—have withstood years of scrutiny and remain among the most carefully documented research.
Radiation ‘from Within’ Produced the Image on the Shroud

Engineering researchers Dr. Daniel Murra, Dr. Paola Di Lazzaro, and Dr. Giuseppe Baldacchini have found that the body image on the linen was formed by a sort of electromagnetic source of energy, far advanced of our own technology today. They determined that “vacuum ultraviolet photons account for the presence of the image – even in areas that were not in direct contact with the body.” (source) They summarized: “In layman’s terms, a brilliant, sudden flash of light emerged from within the body, leading to the body’s dematerialization [the exact moment of resurrection], and the Shroud’s collapse upon itself.” (source)

“Just how much power are they talking about? John Jackson, lead researcher at STURP, calculates that (to create the image on the Shroud), it would take “several billion watts of light radiation, which exceeds the maximum output of any energy source of UV radiation we have today. If that accompanying heat energy had been present, the cloth would have vaporized in less than 1/40 billionth of a second.” Yet, it was not. (source) One estimate is that it took around 4-8 billion watts of UV light radiation to produce the image on the Shroud. Some researchers suggest that the level of radiation may have been much higher. They hold that the more likely at level was at 34 trillion watts of ultraviolet light radiation.” (source)
Di Lazarro, the lead researcher, concluded, “The probability the Shroud is a fake is really very, very low. On the other hand, our results, taken alone, cannot prove the Shroud is the burial cloth of Jesus Christ. One should also consider results of all the other historical, medical, and textile evidences accumulated in the last 35 years.”” (source)
Jesus’s Wounds Seen on the Shroud Align With the Biblical Narrative

Just a Few of the Other Key Scientific Findings:
1. The Image Is Superficial—But Impossible to Replicate
One of the most astonishing discoveries was that the image rests only on the topmost surface of the linen fibers—penetrating no more than 0.2 microns. (source) It doesn’t soak through, and no substance like paint or dye can account for the image. Multiple chemical tests confirmed this. (source) According to the STURP summary, “No pigments, paints, dyes or stains have been found on the fibrils.”(source) To this day, no one has reproduced it using any method known to science.
2. The Blood Is Real, Human, and Consistent with Crucifixion

Drs. John Heller and Alan Adler conducted chemical and forensic testing on the reddish stains across the cloth. Their peer-reviewed analysis confirmed the presence of real human blood—type AB—along with hemoglobin, bilirubin, and serum halos invisible to the naked eye but revealed under ultraviolet light. These features match the trauma of crucifixion, including scourging, puncture wounds, and blood flow consistent with a body in vertical suspension. (source)
Notably, the blood was applied before the image, not afterward—a critical blow to the “forgery” hypothesis. (source) As Adler later said, “The blood chemistry is so complex it could not have been faked by a forger in any century, much less the 14th.” (source)
3. The Shroud is a Photographic Negative

When the Shroud was first photographed in 1898 by Secondo Pia, the image appeared more lifelike and realistic in reverse lighting, something utterly unknown before the invention of photography. (source) No medieval artist could have designed such an effect—especially when the photographic process wouldn’t be invented for another 600 years.
4. Perfect Anatomical and Dorsal-Ventral Alignment
The image on the Shroud shows both front and back views of a man, perfectly aligned, with no side image. The body lies straight, with no signs of distortion or compression. Blood flows and anatomical details (such as nail placement through wrists rather than palms) are consistent with modern medical knowledge of crucifixion—knowledge medieval forgers simply didn’t possess.
5. Revisiting the Carbon Dating
In 1988, radiocarbon dating tests concluded the Shroud dated to 1260–1390 AD, fueling skepticism. But these tests were conducted on a corner of the cloth later identified as part of a medieval repair—a theory confirmed by Raymond Rogers, a STURP chemist. His 2005 paper in Thermochimica Acta showed that the tested area contained cotton, dye, and other foreign material not found in the main body of the cloth. As Rogers wrote, “The sample was not representative of the original cloth.” This means the carbon dating result—while accurately dating the repair—has no bearing on the age of the Shroud itself.
Conclusion
It appears that more and more research suggests that the Turin Shroud is the authentic burial cloth of Jesus of Nazareth. Even for those who don’t accept it as such, one fact remains: it shouldn’t exist. And yet, it does.
The image on the cloth matches the depictions of how Jesus was crucified, matching the Gospel narratives. Additionally, the image on the linen is truly otherworldly. We cannot begin to understand a supernatural process involving such an intense burst of UV light radiation, minus the heat source which would have destroyed the cloth. Accompanying this oddity, the process also included the dematerialization (dissappearance) of the body within the cloth.
One writer puts it this way:
“If he (Jesus) had the power to resume that material body into which Thomas thrust his hand and found it to be a body in appearance of flesh and blood, do you think it strange or wonderful that he would have had the power to cast off his earthly body while in the tomb and cause it to disappear into thin air?”

“Now Thomas (also known as Didymus), one of the Twelve, was not with the disciples when Jesus came. So the other disciples told him, “We have seen the Lord!” But he said to them, “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe.” A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, “Peace be with you!” Then he said to Thomas, “Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe.” Thomas said to him, “My Lord and my God!” Then Jesus told him, “Because you have seen me, you have believed; blessed are those who have not seen and yet have believed.” ~John 20:24-29 [Italics mine]
While the believer’s faith is not dependent on the Turin Shroud’s authenticity, the Shroud can give a believer insight into the working nature of the resurrection. Also, it gives a believer some insight as to what to expect when we experience our own resurrection event.
“When the perishable has been clothed with the imperishable and the mortal with immortality, then the saying that is written will come to pass: “Death has been swallowed up in victory.” “Where, O Death, is your victory? Where, O Death, is your sting?” ~1 Corinthians 15:54-55
“For the Lord himself will descend from heaven with a shout, with the archangel’s voice, and with the trumpet of God, and the dead in Christ will rise first. Then we who are still alive, who are left, will be caught up together with them in the clouds to meet the Lord in the air, and so we will always be with the Lord. Therefore encouraged one another with these words” ~1 Thess. 4:16-18
Excerpts from The Shroud of Turin Research Project (STURP).
The shroud is currently preserved in the Chapel of the Holy Shroud adjacent to St. John the Baptist Cathedral in Turin (Torino), Italy.
More related reading:
The Resurrection Effect: How It Changed the Disciple’s Lives & the World
Good Friday Seen Thru Michael Card’s Doctrinally-Rich Music
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Cory Micheal Briggs
Thank you for sharing this!
EG
Love this article, I learned a lot. He is risen!!